Kimbell Art Museum Extension, Fort Worth

About

Since the opening of Louis Kahn’s building in 1972, the Kimbell Museum has been enlarging its collection, and with that, its needs have increased. It eventually became necessary to raise a pavilion that would accommodate a spacious gallery for temporary exhibitions, classrooms, facilities for seminars, and also an auditorium with seating capacity for 298 people. The new construction stands to the west of Kahn’s work, —to which is connected by the underground carpark— and echoes it through two strategies. The first focuses on the outline of the expansion and serves to emphasize the correct way to approach the original building, which visitors tended to enter through what Kahn considered the back door. The second refers to stylistic questions, and relates the new to the old not so much through language as through more abstract aspects of the project, such as scale, overall layout, and the use of natural light. Subtly echoing Kahn’s building in height, scale and general layout, the new building has a more open, transparent character. Light, discreet (half the footprint hidden underground), yet with its own character, setting up a dialogue between old and new. The new building consists of two connected structures. The front section – the ‘Flying pavilion’ facing the west facade of Kahn’s building across landscaped grounds – has a three-part facade, referencing the activities inside. At its center, a lightweight, transparent, glazed section serves as the new museum entrance.

Sources

• Arquitectura Viva
• Arquitectura Viva